I’ve noticed that a lot of people don’t turn sync locks on in the timeline. That seems like a shame to me. In the old days this feature was buggy and many people ended up avoiding it. But now I leave them on all the time. The reason is simple — sync locks allow you to make complex trims on multi-track sequences all day long and still be in sync when you’re done.
Specifically, it means that when you’re trimming, you can ignore any track that contains black at the blue cursor. No more need to create add-edits in black and put rollers on them. And no need to get rid of those add-edits later.
You can go from the first image below to the second in one step. Even though trim rollers are only on V1 and A1, everything stays in sync, and all downstream clips move forward.
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